Thursday, January 2, 2020
The Appeal of the Mystery Genre Essay - 1845 Words
Question One: At the beginning of the semester I wrote in my personal information handout that I felt what made the mystery genre stand apart from all other genres was its ability to keep the reader/watcher on the edge of their seat wanting more information. That mysteries are unpredictable, making the reader/watcher stay until the end because they must know the ending. I still feel this way, but my understanding of this concept has certainly evolved and sharpened. First and foremost, the concept of keeping the audience on the edge of their seat wanting more is driven by epistemic sequencing. This concept, described by Talmy, is the idea of ââ¬Å"who knows what whenâ⬠and is very crucial to the mystery genre and in keeping the audienceâ⬠¦show more contentâ⬠¦He states in Chapter One, Part Four, ââ¬Å"for one thing, we know that narrative in all its forms is a dialectic between what was expected and what came to pass. For there to be a story, something unforeseen must h appenâ⬠(15). Unforeseen is the key word in this quote by Burner and is crucial to the mystery genre. Within mystery twists and turns occur, red herrings take the audience down the wrong path, and the audience plays detective, but for it to be a true mystery, something unforeseen must occur. This unforeseen occurrence is what keeps the audience on the edge of their seat and coming back for more. It is common knowledge that the detectives cannot find the murderer only 20 minutes into the episode or 50 pages into the book and while the audience certainly enjoys being correct when the killer is revealed, continuously being correct would ruin the allure of the genre. It is stories such as The Murders in Rue Morgue by Edgar Allen Poe that keep the readers on their feet with the unforeseen. When first reading Poes story, I would have never guessed that an orangutang committed the murder and I am sure many other readers felt the same way, which draws us into the story. Further, Stockw ells concept of cognitive deixis also plays an important role in keeping the audience on the edge of their seat. Their are five types of cognitiveShow MoreRelated Detective Fiction Essay1159 Words à |à 5 Pagestypes of details about the crime, readers get drawn into the plot and cannot stop reading until they find out the solution to the mystery. Simply put, readers are drawn to detective fiction because it is so easy to become completely engrossed in the stories. The trick of the author is how to create such an environment to keep readers coming back again and again to the genre. nbsp;nbsp;nbsp;nbsp;nbsp;The easiest way to begin to draw any reader into a story is through the characters. By creatingRead MoreThe Style Of David Fincher s Se7en1386 Words à |à 6 Pageschoices crucially contribute to the filmââ¬â¢s significance and effectiveness in relation to its framework Table of Contents 1. Introduction ii 2. Discussion vi 2.1 Frameworks of References vi 2.1.1 Historical Context vi 2.1.2 Authorship vii 2.1.3 Genre viii 2.2. Story Telling ix 2.2.1 Storyline ix 2.2.2 Clarity of Plot x 2.2.3 Plot Relevance xi 2.2.4 Complexity of Characters xii 2.2.5 Background of Motivations and Objectives of Main Characters xiii 2.2.6 Flashbacks and Ending xiii 2.3. Acting, ArtRead MoreMovie Analysis : The Truman Show1543 Words à |à 7 Pageshim. On the other hand, Edtv is about a man who falls into a contract allowing his every waking moment to be recorded and shown on television. The contract seems benign at first but soon erupts into familial and romantic woes. Despite the similar genres, plots, and relative level of actor talent and notoriety, The Truman Show was a success, while Edtv a failure. 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Genre types are unfixed categories whose characteristics differ considerably among the specific genres; furthermore, the role of literary history plays a significant role in discussions of genre, for genre types evolve and shift with each new literary text. An approach to the discussionRead MoreFilm Noir: A Style Spanning Genres Essay1016 Words à |à 5 Pagescategorize items applies also to objets dââ¬â¢art, including film ââ¬â and the recognition or dismissal of film noir as a genre has been argued since the term was coined. While the term itself is valid, film noir as a genre is a misnomer. More properly, film noir should be considered a style unto itself, but definitively not genre, defined by the very definitions of the words ââ¬Å"styleâ⬠and ââ¬Å"ge nreâ⬠. We will limit our subject matter here to the classic film noir period of 1941-1958, recognizing that all modern
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